Slingers Featured in SFX

Sleepydog’s forthcoming television series, Slingers has been featured in the latest issue of SFX magazine.

Talking about how we developed the Slingers concept, writer Mike Atherton said:

“Our approach was always that Slingers would be a ’60s-style heist show that just happened to be set in space. I’m not trying to dismiss the SF element because I live and breathe this stuff myself, but our initial take was to try and focus on something different from just the tech and the ships.”

The coverage also includes some fantastic concept art by the Brownlee Brothers, so grab a copy of this month’s SFX magazine to read the full article.

Become a fan of Slingers and keep up-to-date with all the latest news by joining our Facebook group!

Sean Pertwee Talks Slingers

On the set of the Slingers sizzle, Sean Pertwee talks to writer, Mike Atherton about his thoughts on our TV project and their shared love of 2000AD.

AVATAR Review

Slingers writer, Mike Atherton, was lucky enough to attend the world premiere of James Cameron’s AVATAR last week. He published one of the very first reviews of the movie for TWITCH, which we thought we’d share here. Tickets are on sale already… go, go go!

I just got back home from the world premiere of Avatar here in London. It’s safe to keep reading. You are entering a spoiler-free zone.

I wasn’t expecting much. I attended the 15 minute IMAX preview a few months back and out of context what I saw was pretty. Very pretty. The immersive technology was an obvious step up, but the scenes with the marines came across as just weird on the eye and the sequences with all the alien fauna gave me flashbacks to James Mason clambering through mushrooms forests in Journey to the Centre of the Earth. But what really had me worried was the story.

There’s a lot of that same worry online. Avatar is often mentioned in the same breath as Ferngully: The Last Rainforest and Dances with Wolves, and then there was *that* South Park episode. I arrived this evening to a blue carpet event (I see what they did there) surrounded by press and the stars of the film, actually surprised at the invite to be honest. Because I’ve been very cynical online. I’m not sure if it was oversight on the part of SKY MOVIES HD who invited me or just simple faith in the movie, but it was stressed to me that I should be as honest as possible in the review. So here goes.

All those worries are completely justified. There’s hardly a single moment of truly original story telling up on the screen. The characters are developed exactly as you think they will be and key moments at the climax of the movie are sign posted clearly early on. If you think you’ve already seen James Cameron’s Avatar then there’s a good chance you’re right. And none of that matters.

It’s the combination of story and technology that reeled me in. The visual depth of the 3D technology is not completely immersive on its own, but Cameron understands that. The opening sequence seems timed to let your brain get around the eye candy while the introduction to Sam Worthington’s Jake Sully slowly begins to draw you in. By the time I met Sigourney Weaver the 3D element had settled down and simply felt comfortable. By the time I met the Na’vi I was immersed. And somehow the story had me too.

I’m a story guy so usually I like to be surprised. If I can work out where a movie is going then I get annoyed. But because Avatar’s plot, to me at least, was so familiar I actually began to concentrate on how well Cameron had constructed it. By the time the first simple arrow-head bounced off a gun ship I was enthralled. Because I knew what was coming and that Cameron was going to execute it with a steady eye and confidence not only in the technology, but also in the cast.

I’m a hard guy to please and being a fan of Twitch for years I know its readers have a rabid love for cinema. But I’m the guy who thinks the Jedi should be edited out of Star Wars at the same time the elves and hobbits get scraped away from Lord of the Rings. I found Dr Manhattan’s blue penis hard to swallow and the last cat person I fell in love with was Natassja Kinski. Avatar was never going to work for me. Yet for 150 minutes this evening James Cameron had me in the palm of his hand.

Snigger away. But this is the important part: Next week a kid who hasn’t seen Dances with Wolves is going to sit down wearing a silly pair of spectacles and be blown away. By the time he or she gets to my miserable jaded age, the effects here will look as old fashioned and as dated as anything I choose to rewatch for the umpteenth time in my DVD collection. But I collect those movies for a reason. So right now I’m jealous of that kid and what he or she is going to experience many years from now in the same way I’m jealous of the first kids who got to see King Kong back in 1933.

But if none of that sways you, just buy the ticket for Michelle Rodriguez and Stephen Lang. They steal the show.

Dapper Dogs

Don’t they scrub up well? Toby Moores, Mark Hilton and Mike Atherton getting into character on the set of Slingers. Having been lucky enough to blag roles as extras, we’re hoping their performance was good enough to avoid the cutting room floor!

Triumph

Working for the past few months immersed in a science fiction show has been a lot of fun. Lots of work too, of course, but when a big part of the research has been revisiting shows that ran and ran such as Mission: Impossible, Columbo and The Man from U.N.C.L.E. it’s not the kind of work day that you drag your feet towards.

The great part of writing a show like Slingers is that a lot of the reference material is so readily available – for the most part I don’t have to worry too much about the future as in many ways (for better or worse) we’re already living in it. For example, the above image is taken from the trailer for upcoming apocalyptic thriller The Road. It’s a stunning image of a familiar world gone wrong, but what’s more stunning is what I read in this Esquire preview:

“When they pass through a city, there’s a shot of two ships sitting on a freeway that looks like a visual effect. That is an actual IMAX 70mm shot taken days after Katrina. We had to doctor the image, grunge it up, make it more toxic, set it into our world, but these places were not hard to find. There’s a fair amount of devastation already in the American landscape.”

Kinda horrifying.

A much more beautiful example was this shot of the Space Shuttle Atlantis caught as just a speck against the backdrop of the sun (uncropped image here). When you take into account that Atlantis is almost 25 years old and quite an old fashioned idea herself (often described as a brick with a stick by those piloting her back into our atmosphere) there’s something almost retro about our Shuttle missions.

One real piece of real life science fiction that touched me recently was the Phoenix Mars Mission from NASA and the genius stroke to anthropomorphise the little craft by giving it a voice via Twitter:

It was a thing of wonder to have the reports come back and see the little guy interact with its followers, but then as the mission came towards its end it suddenly became heartbreaking:

I used to think living in the future was all jetpacks and rocket ships, but it turns out it was all about projecting a little of our humanity out into the darkness…

Social Media Greenroom

Building on some initial forays into politics and social media that myself and Christian Payne made last year, the Sleepydog team have been playing an advisory/brainstorming role with Thomson Reuters that evolved into something we like to call a social media greenroom.

So far we’d used a combination of Twitter and LifeCast to pull in questions / feedback and then create a space for more conversation around the subjects that a Thomson Reuters Newsmaker event throws out. When Davos came around we had another brainstorm with the Reuters team to discuss the best way to amplify their presence out in Switzerland. It was very gratifying to see the team out there hit the ground running and also be able to provide some live conversation back here in the UK as feedback to their work.

Having already broken a few barriers with the Labour party and the Conservatives (that event itself was covered by CNN because of the social media angle) we now have our sights set on Nick Clegg and the Liberal Democrats. We hope to build upon the idea of a social media greenroom by making this next one a social media focused event rather than a bolt-on to a regular Newsmaker. This in part is thanks the success of our last SM greenroom event with Bob Zoellick, President of the World Bank, when he was in London for the G20.

Whether its working with movie stars or politicians they (or their handlers) can be very wary of new media or indeed anything that strays too far from the familiar. Describing our set up in old media terms seems to work best. So explaining that sourcing questions via Twitter and answering them live via webcam is simply another way to do a traditional greenroom interview works pretty well.

With all this in mind the Sleepydog developers have been working hard on something called Newsdeck that offers a fully integrated producer hub to help coordinate and amplify an event such as a Newsmaker. So far we’ve been asked to show it to Microsoft (which we did last week) and are still tweaking the features for use by Reuters in the near future.

For myself and Sleepydog this is all a good way to explore how the media landscape will look some time ahead. It’s a little like exploratory drilling, but rather than hoping to strike a rich stream from the past we’re actually tapping into the future.

Thanks to smart people like @ilicco, @MarkJones and @chris_parker we get to do some very cool stuff here and have a few more things up our collective sleeves. Watch this space or follow us on Twitter to keep in the loop.

Anything but Sleepy

My name’s Mike Atherton, but most people know me as Sizemore. I have nothing to do with cricket or helping Tom Hanks win World War II (but occasionally get email intended for both of those guys anyway). I have a blog over here, but this guy called me nine kinds of wrong so you may want to skip that. I’m a writer and that’s why I’m here.

I’ve been working with Sleepydog for maybe a year now. We started throwing some social media ideas around and somehow ended up in LA working on a TV show. That idea, Slingers, just skipped into pre-production and a follow up show, De-Tech, is now starting to take shape. I’d be lying if I said all of this wasn’t a lot of fun.

The great thing about Sleepydog is that the stuff I work with them on is only a fraction of what they do. The great thing about this blog is now I’ll be able to keep up with the other stuff too.

Sleepydog to me is an ideas company – that they then have the passion and ability to turn those ideas into something tangible and profitable is fantastic, but for me the real wonder here is that they take the ideas process itself very seriously indeed. They also have a knack for finding the best people to work with which leads to yet more ideas. This blog will be another place to throw those concepts around and keep an eye on what other creative companies and individuals are up to.

It’s also a good place to watch a television show or two take shape.

Exciting stuff…